From the sea #3

Dreaming of the ocean

Another collection that’s represented in the Spectrum Gestalt show at bG Gallery in the Bergamot Station Arts Center in Santa Monica is my From the sea set of cyanotypes. 

The show features two works created by the alternative photo process technique – From the sea #3 and From the sea #5.

A swirl of seaweed that captured my attention in Bandon, Oregon is the basis for the digital negative behind this collection. From there, I used my brushstrokes to mirror or complement the shapes in the original, creating something slightly-different in each one-off cyanotype.

Stop by to see the show in person through August 3, and visit the collection here on my site to see how many different variations can emanate from one point of inspiration.

From the sea #3

From the sea #5

Pilchuck

An almost-sleepless week at Pilchuck

Everyone warned me that my experience at Pilchuck Glass School would involve extended days and short nights, so I came armed with supplements galore to stay healthy and energized, plus a creative gameplan to help minimize hours spent developing concepts when I was already exhausted. (My instructor Silvia Levenson looked in wonder at my big binder of digital negatives, created for my cyanotypes and hauled to the school for use with our fotovidrio experiments.)

Surprise wins for the week included:

  1. Learning almost as much from my fellow students as from my instructor Silvia Levenson and TAs Maria Scarognina and Sarah Vaughn. Because I’d learned from her via Zoom (and subsequent Instagram questions), I already knew that Silvia was not only an extraordinarily-talented artist, but also a patient teacher always willing to explore new ways to better help us learn. What I didn’t expect was to be learning alongside so many fellow students with multi-decade glass creation and teaching experience! One of them was Don Friedlich, who creates stunning jewelry and teaches at Corning Museum of Glass, and was a constant resource throughout the week.
  2. More learning at breakfast, lunch and dinner. I learned about the history of Pilchuck and the personal art practices of noted artists Therman Statom and Toots Zynsky while dining at the lodge. I also chatted with creatives who are driving current trends in glass and art, including Corey Pemberton, who not only creates stunning works, but founded Crafting the Future, designed to connect BIPOC artists with opportunities and networks that will help them thrive.

One of Pilchuck's many secret enclaves, hidden in the woods, but only a few hundred yards from my cabin.

One of Pilchuck’s many secret enclaves, hidden in the woods, but only a
few hundred yards from my cabin.

Fotovidrio work in progress. This process has many parallels to my cyanotype work, in that one paints an emulsion onto the glass, then creates a contact print using either halogen or UV light. Plans are to continue advancing this specific work with color and/or coldwork, and to continue to integrate this technique into my practice — I envision possibilities of installations.

Koru

Inspired by the streets

Koru is one of my cyanotypes inspired by street art. Because my brushstrokes used in this work are reminiscent of the Maori design that symbolizes new beginnings, growth and peace, that’s my secondary inspiration. 

But you might not have guessed that Koru and all of the works below were crafted from the same digital negative, that takes elements of SE Portland street art and re-imagines them via digital and physical layering, brushstroke variations and more.

Angles
Cityscape
Loops
Tsunami
Urban cloud
Urban hieroglyphics #1
Urban hieroglyphics #2
Urban hieroglyphics #3
Urban waves
Waves

That’s one of the ways that my cyanotype process differs from many other alternative process photographic artists, whose work is more reminiscent of traditional darkroom photography, where the artist endeavors to replicate the same image from the same negative, over and over. Instead, each new cyanotype I create is a one-off original, where factors including the type of brush and paper I use can create a drastically-different image from the one before.